Mexican band The Warning took a three-month break from its international tour to focus on making their new album, Everything’s Falling. The Villarreal Vélez sisters say they wanted enough time to capture the sonic and lyrical growth they’ve experienced in recent years as a standout hard rock and alternative band, whose music has connected with millions of listeners around the world.
Everything’s Falling arrived Friday (Aug. 28) on digital platforms via Lava/Republic Records. Across its 12 songs, the band — Daniela (vocals), Alejandra (bass) and Paulina (drums) — explore growth, resilience and uncertainty throughout their journey, while also delivering empowering lyrics about the challenge of being women in a male-dominated scene.
Everything’s Falling was produced and co-written by Anton DeLost, helping the band achieve a sound inspired by ’90s alternative rock on songs like “Kerosene,” as well as nu-metal touches on the single “Ritual.” Other standout tracks on the powerful new album include “Bite My Tongue,” “Kill Or Be Killed” and “Bloodsport.”.
This year, The Warning continues its global rise with shows across the United States, following stops in Europe, Asia and South America, as well as appearances at major festivals around the world and their own headlining concerts.
Recent accomplishments also include “Love to Be Loved,” a country-meets-hard-rock duet with regional Mexican superstar Carín León.
The band has cemented its place on the international rock scene, appearing on 10 Billboard charts, including No. 1 on Emerging Artists, No. 2 on Top Rock Albums,, No.
4 on Top Hard Rock Albums and No. 6 on Top Album Sales, among others. Most recently, the band made history as the first Mexican act and the first all-female group to top Mainstream Rock Airplay with “Kerosene,” which leads the chart dated Sept.
Below, The Warning breaks down five essential songs from Everything’s Falling. To listen to the full album, click here.
We premiered this song last March when we played the Pa’l Norte festival in our hometown of Monterrey, and it’s currently being considered for Latin Grammy nominations.
It’s one of the heaviest songs on the album, and for the first time, we gave ourselves the chance to be angry in a Spanish-language song. You can really tell when we fully let ourselves lean into that emotion.
It’s incredible to see people’s reactions, especially when we play international stages where they don’t necessarily understand what we’re saying, but they feel the song’s power.
It’s really fun to connect with people that way.
