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Lewis Capaldi makes self-deprecating nod to Florence + The Machine lyric onstage at Sziget Festival

Lewis Capaldi made a self-deprecating nod to a Florence Welch lyric while onstage at Sziget Festival - check out footage here.

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Lewis Capaldi makes self-deprecating nod to Florence + The Machine lyric onstage at Sziget Festival

Lewis Capaldi made a self-deprecating nod to a Florence Welch lyric while onstage at Sziget Festival – check out footage below.

READ MORE: Florence + The Machine and Fcukers kept the party going at Sziget 2026 day three.

The Scottish singer was appearing on the festival’s main stage in Budapest, Hungary on Thursday (August 13), where he performed immediately before headliners Florence + the Machine.

After chuckling and pointing to himself, he said: “I was listening to that, and I was thinking, ‘Oh fuck, yeah.'” Welch has previously said the track, which Aaron Dessner of The National and Big Red Machine also worked on, was a “15-year outpouring of frustration” after being “ridiculed and derided for the bigness of [her] expression” earlier in her career.

A faixa foi nomeada como uma das 50 Melhores Músicas de 2025 da NME. Na 15ª posição, a entrada dizia: Florence Welch transformou em arte a fusão do mítico com o pessoal ardente.

Em seis minutos extensos, ela consegue interrogar seu lugar como 'Uma Das Grandes' com o mesmo humor e confiança que o solidifica.

NME’s Jordan Bassett went along to see Welch’s set at Sziget, which was described as “what it might look like if Ari Aster directed a concert”.

Welch previously revealed that the inspiration for the ‘Everybody Scream’ album came from undergoing lifesaving surgery during the ‘Dance Fever’ tour in 2023.

She has since opened up further about the procedure, revealing that she had suffered an ectopic pregnancy. “The closest I came to making life was the closest I came to death,” Welch explained in a recent interview.

Você pode encontrar mais conselhos e apoio sobre gravidez ectópica aqui.

Around that same time, Welch had said that exploring spiritual mysticism and folk horror helped inspire the album – understanding the limits of her body and questioning what it meant to be “healed”.

Other themes tackled include the exploration of womanhood, partnership, ageing and dying.

NME gave the record a full five stars, with Laura Molloy writing: “There’s no easy, radio-friendly hit here, nor a euphoric finale, with the album instead departing on a small exhale.

As for Capaldi, the recent Sziget slot saw him confirm plans for a third album, which would mark the follow-up to 2019’s ‘Divinely Uninspired To A Hellish Extent’ and 2023’s ‘Broken By Desire To Be Heavenly Sent’.

When this was received with a cheer, he continued: “I promise I’ll be back as soon as I possibly fucking can be.”.

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Fontes

Informação baseada em material público de NME, reescrito pela redação ULTRA NOTÍCIAS.

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